Performances in N.Y.C. Advertisement Supported by By Leslie Sprout ARTHUR HONEGGER’S “Chant de Libération” was not a piece I intended to consult during a research trip to Paris in June 2009. Like ...
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There is something incredibly satisfying about amalgamating genres into ridiculous, Frankensteinian combinations, and there is no portmanteau more appropriate, nor more divisive, than blackgaze.