“Border Crossings: Exile and American Modern Dance 1900-1955” opens at the Art, Design & Architecture Museum and dance performances by the Jose Limón Dance Company, Santa Barbara Dance Theater and ...
It’s typical for the Joffrey Ballet to seat a mixed-repertory concert near the beginning of the year. But the 2026 edition of such an evening (a series of loosely connected shorter works packaged ...
The Ariel Rivka Dance Company’s spring season draws upon the experiences of its all-female dancers. (New York Jewish Week) — In June 2021, at the end of last year’s dance season, choreographer Ariel ...
As of exactly two weeks ago, the Merce Cunningham Dance Company could still drive audiences to a near-revolt, with a performance at Wolf Trap leading to cheering, a few boos and a shouting match ...
I think it’s fair to say that dance is grossly underrecognized as an artistic discipline. The most participatory of the arts, it deserves more than applause. Its history, intricacy and artistry are ...
Performances in N.Y.C. Advertisement Supported by An oral history project, “Planting Seeds,” considers the history and impact of an American Dance Festival program to train dancers in China. By Brian ...
Dance critic Veale debuts with a sinuous history of the women dancers and choreographers who transformed their male-dominated industry. She begins in the 1890s, when modern dancers rejected ...
“Border Crossings: Exile and American Modern Dance 1900-1955” opens at the Art, Design & Architecture Museum and dance performances by the Jose Limón Dance Company, Santa Barbara Dance Theater and ...
The experience of exile, whether literal or symbolic, is inevitably reflected in an individual’s body. Feeling cut off from one’s roots, or viewing yourself as a stranger in a foreign land, influences ...
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