For me, Seberg made a more effective and plausible Joan of Arc than 1957 reviewers were (or Rappaport is) prepared to recognize, and the bald assumption that Gary victimized Seberg (which implies that ...
Mark Rappaport’s follow-up to Rock Hudson’s Home Movies is an even bolder amalgam of free-associational film theory, cunningly outre montage, and deadpan bitchiness. Mary Beth Hurt, an inspired choice ...
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