Miami City Ballet added a striking new facet to its profile with the startling, off-kilter architecture of Christopher Wheeldon’s Polyphonia on its season-opening program. But it was Serenade, the ...
They're opposites, but alike in why they fail. Scarlett’s Sweet Violets is an impenetrable jangle of narrative in the old style; McGregor’s Carbon Life an unyielding jangle of amoeba-like dance in the ...
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