David Koepp hadn't written a "Jurassic" movie since 1997. When Steven Spielberg asked him to return for "Jurassic World," his ...

An eyeball, big, yellowish, distinctly inhuman, stares raptly between wooden slats, part of a large crate. The eye darts from side to side quickly, alert ...

This week's IndieWire "Screen Talk" podcast dishes on "F1," "Jurassic World: Rebirth," and interviews screenwriter David Koepp.

From David Fincher's "Panic Room" (2002) to Steven Soderbergh's "Presence" (2025), he excels at corralling stories into uncluttered, headlong movie narratives. Koepp can write anything — as long ...

EXTERIOR SELVA NOCHE Un globo ocular, grande, amarillento, claramente inhumano, observa atentamente entre franjas de madera, ...

Koepp, who also wrote the first two Jurassic Park films, talks about ‘bottle’ movies and working again with Steven Spielberg.

David Koepp hadn't written a "Jurassic" movie since 1997. When Steven Spielberg asked him to return for "Jurassic World," his only request was to start over.

From David Fincher’s “Panic Room” (2002) to Steven Soderbergh’s “Presence” (2025), he excels at corralling stories into uncluttered, headlong movie narratives.