Peace Mbengei discusses We Run the Night, her YA horror novel about grief, Luo night runners and a strangler fig that ...
A five-star review of Hailey Piper’s This Movie Doesn’t End the Way We Want where lost media, grief and cosmic fear turn the ...
Dean Cade's Lost Boys turns the Dean Corll murders into aching queer horror. A five-star review of the Summer 1973 trilogy's ...
The entrepreneurs who stall aren’t the ones who face risk — they’re the ones who face it without a framework for thinking ...
The Need by Megan Mostyn-Brown turns cannibal horror into a sharp family drama about blood, class and inheritance. A rare ...
Why 1994 Was Perfect for a Cursed Movie, when VHS culture, bad information and a pre-Google web gave horror room to hide.
Faith without proof is a virtue. In a locked house, it is a life sentence.
We Are For The Dark by Gretchen McNeil, a religious folk horror where a boat-less Newfoundland island asks what you would ...
What links all of them is the same quiet horror: the game looked fair because the house made sure you couldn’t see the parts ...
Keith Rosson's Crone welds folk horror to crime noir: a missing daughter, a broken father, and a vengeful witch in a ...
Avery Flynn's spicy witch-and-werewolf fated-mates rom-com is her best Sherwood Witches book yet, saggy middle aside. 4 stars ...
Tananarive Due follows The Reformatory with a generation-spanning Black horror where a child's wish grows teeth.
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