Rhizome is the international hub for new media art since 1996. About, Community Listings, #Artworks, #Preservation, ...

This is the second in a three-part series to be published on Rhizome. The first part, exploring the history of the emoticon, can be found here. The final installment (forthcoming) will explore the ...

Pete Jiadong Qiang, Queer Maximalism HyperBody (2020). Game level Pinkray, Pinkray plush dolls, VR gameplay screenshot. Courtesy of the artist and CheeseTalk. The latest in a series of interviews with ...

Commissioned by the New Museum’s digital art affiliate Rhizome, the new composition was performed at the museum in May. For First Look, the artists made video documentation of a subsequent performance ...

Can the solar web invite us into a more intentional relationship with computers and connectivity? In an age of abundant computation and connectivity, this was the question that animated Rhizome’s ...

In this third segment of our genealogy we begin to form a connection, and to examine those lesser-known but foundational figures that radiate out from Turing's early work. Perhaps appropriately, given ...

This essay accompanies the presentation of Vuk Ćosić's Documenta Done as a part of the online exhibition Net Art Anthology. Documenta X, the 1997 iteration of the art exhibition held every five years ...

Rhizome and Electronic Arts Intermix (EAI) are teaming up with Canyon—a major new venue for media art opening on New York’s Lower East Side in 2026—to develop joint programming and expand public ...

GIF extract form Hito Steyerl, How Not To Be Seen. A Fucking Didactic Educational .MOV File, 2013. HD video file, single screen, 14min. How Not to be Seen: A Fucking Didactic Educational .MOV File is ...

Kristoffer Skorstengaard Tjalve: Daniel, we first started talking when I invited you to speak at Naive Yearly. During one of our calls, you said that the internet is really good at being big and small ...

Nathalie Lawhead, (☞ﾟヮﾟ)☞ unleashed desktop pets, 2015. Screenshot of a bunch of Nathalie’s software running at once. Courtesy of Nathalie Lawhead. The latest in a series of interviews with artists ...

This essay was originally published November 2022 as a chapter in the book Documentation as Art, edited by Annet Dekker and Gabriella Giannachi. In the preservation of digital art, documentation is ...