The Los Angeles Lakers honored their most recent Hall of Famer, former five-time 'Showtime'-era champion Michael Cooper, with a special jersey retirement ceremo

David Lynch's show Twin Peaks was a surprise cultural and ratings phenomenon when it aired in 1990. It changed television forever

David Lynch will forever be known as a film auteur, though the consummate artist never restricted himself to a single medium. Painting, radio and even coffee production all fell within his repertoire — but Lynch’s final work as a director was “Twin Peaks: The Return.

EXCLUSIVE: David Lynch had a great knack for discovering leading-lady talent, actresses who would ascend to bigger heights. One of those is Lara Flynn Boyle, who played the role of Donna Hayward in Lynch’s early 1990s ABC series Twin Peaks.

Harry Cooper is the founder of Sharkhunters International, a company that organizes tours to sites that were historically important to the Third Reich, such as the Wolf’s Lair, Hermann Goering’s house, and Hitler’s vacation homes in Bavaria.

Of all the Lakers retired jerseys hanging in the rafters at the Crypto.Com Arena in downtown Los Angeles, Michael Cooper's number 21, raised into Purple and Gold immortality last Monday night is the most improbable.

David Lynch, the Oscar-nominated filmmaker who brought surrealist storytelling to the mainstream via 'Twin Peaks' and 'Mulholland Drive,' has died. He was 78.

LA was understandably rusty and distracted in a loss to the San Antonio Spurs, who had a surprise for grieving coach JJ Redick.

This past Monday night, the Lakers decided to raise Michael Cooper's No. 21 jersey to the rafters of the Crypto.com and retire his number.

Former Laker Michael Cooper cherishes his jersey retirement ceremony more than his induction into the Naismith Memorial Basketball Hall of Fame.

Lakers retire Michael Cooper’s jersey and Spurs stars give JJ Redick’s sons their jerseys on a strange, heavy night when the team hoped to provide hope and joy

Raiff says “Hal & Harper” was originally set up at a network, but he came to realize amid development that the executives were fitting the show into a box he didn’t want it to be in. A producer saw him in a Zoom meeting and told him, “I can tell we’re not enjoying this.” He wasn’t, and the producer fought to get the rights back.