Steven Soderbergh is a tough director to pin down. Now, the Oscar winner is taking on a ghost story called Presence. Soderbergh spoke with CBC's Eli Glasner about the precarious state of the industry and why he won't make another Ocean's film.

The entire film is shot entirely from the ghost's point of view, the audience haunting a family that has recently moved into a New Jersey home, not realizing that something was already living there. Critic Sean Burns says it's a great gimmick,

There’s only so much that a person can hold before everything collapses.” With Presence now in theaters, Vogue spoke to Liu and Liang about preparing for their unconventional film—and their own relationships to the paranormal.

The camera is the ghost in Steven Soderbergh’s chillingly effective, experiential haunted house drama “Presence.”

A few years ago, there was a ghost in Steven Soderbergh’s Los Angeles home ... Instead, it’s a way to understand a disconnected couple, Rebekah (Lucy Liu) and Chris (Chris Sullivan), and their teenage children Chloe (Callina Liang) and Tyler (Eddy ...

In his nomadic career, Soderbergh has been a big-screen name happy to work for Netflix and HBO. Presence, though, is clearly made to be watched in the cinema, with a crowd, preferably while being under 19.

The intimate supernatural drama stars Lucy Liu and Chris Sullivan as homeowners with an unexpected houseguest. With Presence, Steven Soderbergh Resurrects the Ghost Story: Review

“Presence” is a beautifully executed vision of a rather mediocre script. What makes it interesting is the POV “gimmick,” which Soderbergh demonstrates as a legitimate mode of cinematic storytelling. His camera movements take on such a human quality that we become emotionally connected to it as another character in the story.

David Koepp is re-teaming with Steven Soderbergh for Presence, a ghost story from the ghost's point-of-view, and we talk all about it.

Presence star Callina Liang’s dad was skeptical of her dream to become an actor — until a high school test gave her some data-driven validation.

Koepp expanded on this: "In the last 10 to 15 years, horror has really been prominent and changed. Gore and jump scares are huge. When people hear horror, they think of that. When