David Koepp is re-teaming with Steven Soderbergh for Presence, a ghost story from the ghost's point-of-view, and we talk all ...
This article discusses the plot and ending of "Presence," now playing in theaters. As with many ghost stories, the ...
Producer Ken Myers, screenwriter David Koepp, producer Julie M. Anderson, and director Steven Soderbergh pose at the ...
Over Zoom I spoke to Koepp about writing within the confines of the film’s single point-of-view, the value of what’s left out ...
Campfire tales of spectres, spirits, and spooks have been with us since Day One. Certainly, they've proved good fodder for ...
Koepp is staying vague about the story’s details, which have not been announced, but says he values the way Spielberg can collaborate without too much outside interference. “W ...
Koepp's writing is thorny and cuts deceptively deep, like a scrape that looks like a surface wound until it won’t stop ...
Steven Soderbergh often applies his brainy, process-based approach to new genres; with Presence, he tries his hand at ...
Presence may not be your typical horror movie, but that doesn't mean it won't leave you a bit shaken up.
The actor admits that Soderbergh's unusual way of capturing the film — told from a ghost's point of view — was a challenge to ...
The entire film is shot entirely from the ghost's point of view, the audience haunting a family that has recently moved into ...
Koepp has proven himself to be one of Hollywood’s preeminent screenwriters since Steven ... as with David Fincher’s home invasion thriller “Panic Room” or Soderbergh’s own tech-skeptic ...