Monster’s Paradise,” by Olga Neuwirth and Elfriede Jelinek, attempts an operatic response to current events and politics. Is ...

The Riverside Opera Company will present February Frolics, a cabin fever cabaret, at the Little Victory Theatre.

Kaija Saariaho’s “Innocence” was celebrated at its premiere. After her death in 2023, her collaborators continue to travel ...

Created by composer Jake Heggie and librettist Gene Scheer with director and choreographer Jawole Willa Jo Zollar, "Intelligence" was recorded live during the opera’s world premiere run at the Wortham ...

Two double-cast women will sing the role of Fanny Price in the chamber opera "Mansfield Park," based on the 1814 novel by Jane Austen. One Fanny is a mezzo soprano, the other a soprano. Each will ...

The Royal Opera House in Covent Garden opened its fourth revival of David McVicar’s famous 2008 production of the Richard Strauss opera “Salome” one day after the death of the Queen of England in 2022 ...

Throughout seven decades of James Bond films, audiences have adventured with suave, silly, and traumatized versions of 007. And there are still more Bonds to come. Granted, the globe-trotting spy ...

The proposed sale comes after a long list of measures enacted to stabilize the opera. The Metropolitan Opera’s financial precarity mounted during the pandemic, and since then, the institution has had ...

Wallis Giunta as Rosina performs during a Dallas Opera dress rehearsal of "The Barber of Seville" at the Winspear Opera House in Dallas on March 16, 2022. Lola Gomez / Staff Photographer The Dallas ...

For Florida Grand Opera, a new era is underway, as artistic director Maria Todaro vows to keep her promise that she’s not presenting “your grandmother’s opera” with the upcoming reimagining of “Die ...

Christos Makridis is also a co-founder of Living Opera and the Living Opera Foundation and founder of CM Culture Management. He is also an affiliate and contributor to several think tank communities ...

Jonas Kaufmann will no longer sing at London’s Royal Opera House — because, of all things, the pay is too low. “I don’t know how you do it,” the tenor recently told BBC Radio 3. In the same interview, ...