I first heard about the reopening of the community-run cinema La Clef shortly after arriving in Paris this January. A friend, ...

Full Sail University teams swept the competition in the 2026 Coca-Cola Refreshing Films program, earning top honors across ...

This morning, Emmy winners Liza Colón-Zayas (The Bear) and Jeff Hiller (Somebody Somewhere, nominated again this year for his ...

There’s no industry more sought after than entertainment. Industry hopeful dream of being top-tier directors, ...

Say you’ve built a career as a reliable sitcom mainstay and are forced to pivot when sitcoms go out of fashion in the 2010s.

Ari Aster previously used the horror genre as a lens to examine dysfunctional family dynamics in Hereditary and break-up messiness in Midsommar. He then pivoted to the manic surrealism of Beau is ...

30 years after his debut feature Kicking and Screaming (1995), writer-director Noah Baumbach, having crafted a notable career both in Hollywood and outside of it, has made his softest film yet, and ...

David Lowery and Chloé Zhao have been friends and collaborators since January 2012, when they met as fellows in the annual Sundance Screenwriters Lab. In the years since, both directors have found ...

Say you’ve built a career as a reliable sitcom mainstay and are forced to pivot when sitcoms go out of fashion in the 2010s.

Drumroll: Amy Adams stares at you. It’s intense—not haunting, but certainly not inviting. The camera pulls away, and it’s her character Laura who’s playing the drums. It’s daytime, there’s ...

“What I’m saying is, if you want to go, I won’t stop you.” At the final Park City edition of Sundance last week, my 14th consecutive one, I contemplated this line from Butch Cassidy and the Sundance ...

“What I’m saying is, if you want to go, I won’t stop you.” At the final Park City edition of Sundance last week, my 14th consecutive one, I contemplated this line from Butch Cassidy and the Sundance ...